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E-CIBS

November 21, 2025

In Full View: Antigone [Brecht] as a Site-Specific Performance — by Olga Levitan

E-CIBS
November 7, 2025

A Secret Everybody Could Have Seen: Frank Theatre’s Arturo Ui and the Mechanics of Power Abuse—Matthias Rothe

E-CIBS
October 30, 2025

Brecht’s Testimony to HUAC: Capitalism and the Politics of Silencing — by Anthony Squiers

E-CIBS
October 22, 2025

IBS Panel CfP: What Theatre After Brecht Does (IFTR 2026)

E-CIBS
October 17, 2025

Dramaturgical Pathways Through the Gallery: a conversation on the performances of brecht: fragments

E-CIBS
October 6, 2025

Otto Dix at the MMK Passau: From the Trenches to Redemption — By Anthony Squiers

E-CIBS
September 24, 2025

Claus Peymann: 1937-2025 – by Matt Cornish

E-CIBS
September 17, 2025

In Search of Roma Theater – by Benjamin Menekshe and Joerg Esleben

E-CIBS
September 10, 2025

Die Gewehre der Frau Carrar von Bertolt Brecht / Würgendes Blei Eine Fortschreibung von Björn SC Deigner – by Sarah Ralfs

E-CIBS
September 2, 2025

Deadline Extended—18th Symposium of the International Brecht Society: CfP

E-CIBS

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Announcements. Archive. Art. Brecht around the World. Essays. Interviews. Reflections. Reports. Reviews. Versuche / Experiments.

E-CIBS (Electronic Communications from the International Brecht Society) is the performance journal of the International Brecht Society.

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